László Dömötör, the divorced registrar, cannot get rid of his ex-wife any more than he can get rid of marriages. He is desperate to find new love, with little success. After Dömötör gets drunk as a tension reliever at work and turns one of his weddings upside down, his boss fires him. On his way out, he catches a glimpse of Norbert Lázár, an up-and-coming, semi-secret producer who runs nightclubs. Unconfirmed reports say he died in Africa. The man looks exactly like him. All of this spurs him to a crazy idea. A modernised adaptation of the 1942 comedy.

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The Death Prosecutor (...) [focuses] on a significant court case in the period of the post-1956 retaliations, through the true story of a newly graduated prosecutor, Endre Grátz.https://english.nmhh.hu/article/195551/Online_media_has_gained_ground_as_a_source_of_information_on_the_Hungarian_parliamentary_elections

A father tries to deal with his troubled son who is involved in a hit-and-run accident.

A year-long look at Péter Magyar's journey between public and private life, revealing how collaboration transforms a personal choice into a nationwide political and social movement.

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The setting is Croatia and the time is the first third of the 20th century. The characters in this carnival "comedy" are drawn from the upper echelons of Croatian society. Krleza's characters talk of love, morality and art, but their appreciation of each other, their sense of true love, is as alien to them as true art: their approach to life and art are both false.

A rich man hires a pair of brothers, one to teach him to box and the other to manage him. Meanwhile, the rich man must fend off his brother-in-law, who is after the family inheritance. The film is lost.